PH I Template

Our Workshops

A short introduction to the workshop instructors and why their background should inspire potential student’s confidence.

Our Workshops

A short introduction to the workshop instructors and why their background should inspire potential student’s confidence.

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The classical guitarists repertoire has a finite number of movement forms. Applying the principles of positioning to these movement forms creates a consistent technical advancement.

Chapter 5 – Principles of Movement

Chapter 6 – The Free Stroke

Chapter 7 – Alternation

Chapter 8 – Sympathetic Motion

Chapter 9 – Tremolo

Chapter 10 – Compound Motion

Chapter 11 – Left Hand Patterns

Chapter 12 – String Crossing

Chapter 13 – Scale Bursts

Chapter 14 – Rest Stroke

Chapter 15 – Primary Skills Exercises and Practice Plan

 

Chapter 16 – Left Hand Positioning with Sympathetic Motion

Chapter 17 – Shifting with Scale Bursts

Chapter 18 -Shifting with Complex Alternation

Chapter 19 – Left Hand Chord Positioning 

Chapter 20 – Mapping Range of Motion and Alternation

Chapter 21 – Mapping Sympathetic Motion

Chapter 22 – Mapping Mixed Patterns

Chapter 23 – Mapping Popular Repertoire

Chapter 24 – Fingering Guidelines

Chapter 25 – Integrating Mapping into Repertoire

 

Chapter 26 – Extended Scale Forms

Chapter 27 – Scale Speed Development

Chapter 28 – Arpeggio Speed and Development

Chapter 29 – Studies Supplement

When you see this fermata inside a light bulb it means that it would be a good idea to pause and read the content attached!

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Left Hand Positioning Introduction Video

Practice Plan

  • Practice Length: 10 min
  • Practice Frequency: 2-3 times per day
  • Practice Plan Duration: 4-7 days
  1. Sitting Position Check
  2. Right Hand Position Check
  3. Free Stroke Exercise
  4. Alternation Burst Sweeps
  5. Alternation Burts
  6. Complex Alternation
  7. Free Stroke Exercise 

Pearl Members

Send a short video demonstrating Steps 4-6 from the above Practice Plan.

Practice-Along-with Scott

Heading 1

The classical guitarists repertoire has a finite number of movement forms. Applying the principles of positioning to these movement forms creates a consistent technical advancement.

Chapter 5 – Principles of Movement

Chapter 6 – The Free Stroke

Chapter 7 – Alternation

Chapter 8 – Sympathetic Motion

Chapter 9 – Tremolo

Chapter 10 – Compound Motion

Chapter 11 – Left Hand Patterns

Chapter 12 – String Crossing

Chapter 13 – Scale Bursts

Chapter 14 – Rest Stroke

Chapter 15 – Primary Skills Exercises and Practice Plan

 

Chapter 16 – Left Hand Positioning with Sympathetic Motion

Chapter 17 – Shifting with Scale Bursts

Chapter 18 -Shifting with Complex Alternation

Chapter 19 – Left Hand Chord Positioning 

Chapter 20 – Mapping Range of Motion and Alternation

Chapter 21 – Mapping Sympathetic Motion

Chapter 22 – Mapping Mixed Patterns

Chapter 23 – Mapping Popular Repertoire

Chapter 24 – Fingering Guidelines

Chapter 25 – Integrating Mapping into Repertoire

 

Chapter 26 – Extended Scale Forms

Chapter 27 – Scale Speed Development

Chapter 28 – Arpeggio Speed and Development

Chapter 29 – Studies Supplement

When you see this fermata inside a light bulb it means that it would be a good idea to pause and read the content attached!

Heading 2

Heading 3

Left Hand Positioning Introduction Video

Practice Plan

  • Practice Length: 10 min
  • Practice Frequency: 2-3 times per day
  • Practice Plan Duration: 4-7 days
  1. Sitting Position Check
  2. Right Hand Position Check
  3. Free Stroke Exercise
  4. Alternation Burst Sweeps
  5. Alternation Burts
  6. Complex Alternation
  7. Free Stroke Exercise 

Pearl Members

Send a short video demonstrating Steps 4-6 from the above Practice Plan.

Practice-Along-with Scott

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